Review and photographs by Anna Netri This text was written in response to an exhibition of works by Louise Finney,…
Programme of events – #interrupteur . Artist-writer Emma Bolland in residence at Jessop West, MarchApril 2019
The #interrupteur residency, now in its second year, brings artist-writers into the everyday space of the Faculty of Arts and…
The Longer Story, The Bigger Picture (Representing Migration)
In 2017, I worked alongside Dr Sophie Watt and Dr Casey Strine to create an undergraduate research project, which was…
Entre Guillemets // Quote Unquote.
On December 4th-5th 2018, artist Joseph Edwardes Evans presented a new series of small sculptures in an exhibition entitled Entre…
Post-traumatic vases
Joseph Edwardes-Evans has made a series of extraordinary, tiny vases which respond to the matter of post-traumatic landscapes. Each of…
Post-Traumatic Vase, by Joseph Edwardes-Evans
Post-traumatic vase I was so touched to receive a gift from MA student and artist Joseph Edwardes-Evans in the form…
‘‘MEMORY TERRAIN’’: WALKING, REMEMBERING, REPRESENTING THE ABANDONED RAILWAY LINES OF PARIS AND YORKSHIRE
The former coal fields of South Yorkshire are threaded through with thick skeins of disused and dismantled mineral lines.…
Museums in Context and Partnership: April 19th-20th, National Railway Museum, York.
We’re hosting a conference in collaboration with the rather wonderful National Railway Museum in York. In this two-day conference, we…
Islands, camps, zones: towards a nissological reading of Georges Perec
I’m currently writing a chapter for a book on Perec (which will be published in 2019) that presents a nissological…
Railway Cultures
In January 2018, and in collaboration with the National Railway Museum in York, the Faculty of Arts and Humanities at…
