Furnace Park // On Curating Strange Encounters

Luke Bennett (Sheffield Hallam University), Amanda Crawley Jackson and Matt Cheeseman (University of Sheffield) are currently preparing a series of papers on the Furnace Park project.
The first paper will explore the multiple readings that are projected on to the site and the ways in which together they produce meaning and place.
On curating strange encounters in multidisciplinary space: a case study on opening up a plot to multiple reading

In the long retreat from essentialism, prevailing orthodoxy has it that the experience of place is multivalent, partial, subjective and/or pragmatic (e.g. Creswell 2004; Harman 2009, Delaney 2010). In this paper we will explore what this means in concrete terms by examining our involvement in the valorisation and art-led repurposing of a small plot of derelict land in the heart of Sheffield’s industrial quarter. At the core of our project has been a conscious desire to reveal and then linger over the multiple ways in which stakeholders associated with this project have each brought their own ‘ways of seeing’ (Berger 1972) – their aesthetics in the widest sense of that term – to bear in making sense of the site for their purposes. Through this the project has seen a small abandoned scrubland site suddenly heavily traipsed by police, surveyors, writers, engineers, artists, scavengers, architects, police, film makers, ecologists, poets, lawyers, children, groundworks contractors and ambivalent bystanders. We will show how these visitors are strangers to each other, and this place, and yet through their proximity in time spent on site, their involvement in the project and the similarities and divergences of their sense making strategies, their paths, thoughts and actions start to interweave to create a rich, vibrant set of place-forming narratives for a supposedly ‘non-place’ (Augé 1995). In bringing these ways of reading out of their disciplinary silos, by creating a context in which their discursive grip of the situation was rendered slightly askew – we summoned intriguing patterns, commonalities and charming juxtapositional effects (Highmore 2002), a loose project specific community-assemblage of the type theorised by Jean-Luc Nancy and Jacques Rancière, that energised this forgotten site with new life, colour and purpose.

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